Showing posts with label lomography. Show all posts
Showing posts with label lomography. Show all posts

Tuesday, July 2, 2013

Photography Week(s) in Review - June 17-30

Sorry for the lack of a post last week and the delay this week.  It was a slow week and I didn’t feel that I had a great deal to report.  So, I decided to combine the last two weeks into one post.  Here are the last two weeks in review.

Lumu Light Meter for Smart Phones - Kickstarter
We wouldn’t have photography if we didn’t have light.  Cameras interpret the light and create the exposure based on the amount of light in the scene.  The image is then captured digitally or burned onto a film negative.  Those of us that use completely manual cameras know the importance of a light meter.  Without it, we wouldn’t be able to properly measure the light in a scene (unless you’re using the Sunny 16 rule or you’re Mat Marrash, the human light meter).  If you own a smart phone and are a photographer, you’ve probably heard of the Lightmeter app.  It’s a great app to use (that’s surprisingly accurate) and is always in your pocket.  A group of individuals are taking smart phone metering to the next level with the Lumu Light Meter.  It’s an actual light meter (and accompanying app) that fits into the jack on your phone.  It’s a slick device and I may have to pick one of these up.  The team at Lumu Labs have nine days left on their Kickstarter and have already reached their goal.  Support Lumu Labs and pick up your light meter for less than launch price here.
Instagram Adds Video
Last week rumors were swirling about an upcoming announcement from Instagram, the popular, mobile phone photography app.  It was rumored that the company would introduce a video feature to compete with Twitter’s Vine app.  That rumor came to fruition on June 20 when Instagram announced that video capabilities were added to version 4.0 of Instagram.  The capabilities include 15 second video capturing (9 more seconds than Vine), image stabilization and seamless integration in your Instagram feed.  It also includes 13 filters to add to your video along with the ability to edit and choose your “cover” video shot.  Unlike Vine, the video plays only once.  The Internet seemed to think this would be the “death” of Vine, but I personally think that’s quite an exaggeration.  Vine shares on Twitter have dropped off quite a bit since the introduction of the app, but Instagram shares have stayed about the same.  Adam Goldberg, king of Vine, has made his allegiance clear and even stated that a few accessories he uses for his videos don’t work on Instagram.  I will be staying with Vine, but use whatever app makes you happy.  Read more about Instagram’s video capabilities here.
Voigtlander Discontinues Rangefinders
On one hand, we have a company expanding its’ offerings (in the case of Instagram); on the other hand, we have a company shrinking its’ product line (in the case of Voigtlander).  Even though the announcement was made a few weeks ago, it just started hitting some photography forums within the past week.  On June 10, Voigtlander announced that the Bessa A series of rangefinders is being discontinued and the 2M, 3M and 4M series of cameras were decreasing in price by $100.  This leaves the Leica M7 as the only new auto exposure, rangefinder, film camera on the market.  Read the Pdexposures blog post on the announcement here.
Impossible Project Black Frame Film Back in Stock
Perhaps my favorite piece of news of the past couple of weeks was that the Impossible Project restocked their shelves with my favorite film - PX600 UV+ Black Frame.  This film produces great tones, develops extremely fast and is framed by a beautiful black border.  When it ran out the first time, I stocked my fridge with a number of packs and I can’t wait to pick more up.  For those interested, don’t wait too long - they had just under 1,000 packs in stock at last check.  They also have a short supply of PZ600 UV+ Black Frame for Spectra cameras as well.  Pick up a few packs here and here.
Pdexposures Podcast #12
The Pdexposures gang was back with another podcast.  This time they tackle thrift stores, thrift store finds and overlooked gems.  Check out Nate, Simon and Tony delivering film photography goodness in their very unique way here
Lomography for Beginners on Japan Camera Hunter Site
Over at the Japan Camera Hunter site, a new article popped up regarding Lomography.  The article, presented as a Q&A session with a panel of experts, gives advice about the ins and outs of Lomography, their lifestyle and cameras.  It’s a great read for someone new to film photography and Lomography.  In addition, Simon and Tony from Pdexposures lend a helping hand by being part of the Q&A panel of experts.  Check it out here.
Toby Deveson Article
Speaking of articles, I came across this great article from a retweet by a photographer I follow on Twitter.  It was a blog post from a photographer about the first exhibit (in 15 years) that he put together.  He produced all of his black and white images by hand in the darkroom and he included some writings and vignettes on his process.  The post was an ode to slow photography and the serenity (in a world of hustle and bustle) that spread across the exhibit viewers as they took in the images.  What he’s talking about definitely strikes a nerve with me and he mentions a few reasons why I shoot film.  Give the post a read here and let me know what you think.
And that’s it for the past two weeks.  Have a great July 4th holiday and I’ll see you all back here for this week’s review.  

Monday, June 17, 2013

Photography Week in Review - June 10-16

I hope you had a great week; it was an interesting week in the world of photography with a few product launches, more Kodak news and of course new episodes of my favorite podcasts.  Here’s your photography week in review for June 10-16.

Leica releases new camera 
A couple of weeks ago I mentioned that Leica was going to be making a new product announcement.  Well, June 11 came and went and there is now a new camera in Leica’s line up.  It’s called the Leica X Vario.  Leica had been teasing the product as a “Mini-M;” however, it’s not a new M series camera.  It was simply modeled after the M.  The X Vario is a compact camera with a f/3.5 autofocus zoom lens that also allows you to record full-HD video.  The camera was not a favorite among the Leica fans I follow on Twitter.  What do you think?  Read more about the X Vario here.
Lomography goes the DIY route with the Konstrucktor
While we’re on the topic of new product releases, Lomography released their newest camera.  They had been teasing it for the past few weeks and my guess was that it was a 35mm SLR system.  Well, I was close.  It’s actually a DIY 35mm camera.  Lomography is touting it as the world’s first DIY 35mm camera and they’re marketing the educational benefits of assembling your own camera, allowing the "builder" to truly learn about the analogue photography process. The camera takes 35mm film, has an unbelievably slow  50mm f/10 lens with a shutter speed of 1/80 sec.  It has multiple exposure function and focuses from .5m to infinity.  The surprising thing about this camera is that it’s only $35.  The initial results from the camera are fairly sharp and are missing the major light leaks or other quirks usually associated with Lomography’s product line.  It will be interesting to see the results once more individuals get their hands on the camera.  Learn more about the Konstrucktor here or pick one up here.
Kodak Stopping Production of Film Acetate Base
From product launches to product discontinuations.  Last week, Kodak announced that it was discontinuing the in-house production of cellulose acetate which will result in the cutting of 61 jobs.  Kodak has been in financial troubles for awhile and sold off it’s film division earlier this year.  They’re trying to emerge from bankruptcy as a leaner company with the ability to make a profit, but as it stands right now, I don’t see how they can be successful with the product line they’ve chosen to stand behind.  Kodak claims that they will continue to produce film and that they’ll be looking at external suppliers for the film acetate base once they run out of existing stock.  I like a few of Kodak’s film stocks, but at this point, I want to support a company, like Ilford, that truly believes in film.  Read more about Kodak’s changes here or here.
FPP Releases New Podcast
One group that will always support Kodak for as long as they’re around is the Film Photography Project.  They just released their second podcast of June and this time they’re joined by long time listener and contributor Darren “Pancho Ballard” Riley and his new wife Rebecca.  John Fedele and Leslie Lazenby also join the podcast and topics such as scanning film, New York street photography and listener letters are covered.  Check out the podcast and show notes here.
Pdexposures Intermission
It’s officially not a photography week in review post if I don’t mention the Pdexposures gang.  They released their fourth “Intermission” podcast and this time the topic is the Pdexposures meet-up that took place in Seattle back in May.  Nate brought along a mic and recorder and recorded interviews with some of the participants.  Check out the intermission here.
Weegee’s Birthday
Weegee, born Ascher Fellig, was a famous press photographer in the ‘30s and ‘40s.  He  was mostly known for his gritty, black and white, crime scene work from the Lower East Side of New York. He was a member of the famous New York Photo League and was ahead of his time in marketing himself and his photographic style.  Luckily, for us, his archive of 20,000 prints, negatives, tearsheets and other memorabilia were donated to the International Center of Photography and have went on to produce several outstanding exhibitions and books.  June 12 was Weegee’s birthday and to celebrate, look up his work and admire it.  You can find it here.
Margaret Bourke-White’s Birthday
Weegee wasn’t the only famous and ground-breaking photographer that celebrated a birthday this week.  June 14, Bourke-White would’ve been 109 years old.  She is best known for three things:  (1) the first foreign photographer permitted to take pictures of Soviet industry; (2) the first female war correspondent; and (3) the first female photographer for Life magazine.  She died of Parkinson’s Disease in August of 1971, but her images left a lasting impression.  One of my favorites is “Kentucky Flood.”  What about you? See more of her work here.
50 Most Influential Photographers of the Past 10 Years
I don’t have a lot to say about this specific news item.  I came across this article from one of the individuals I follow on Twitter.  It’s a slide show (with a small write up) of the 50 most influential photographers in the past decade.  The article was featured on the mobile site of the men’s magazine Complex.  The list is certainly pushing the boundaries of what is defined as photography, but even without knowing half of the names on the list, I’m going to give their work a longer look.  You never know where inspiration will come from.  What do you think about this list?  Check it out here.
Negative Viewer App for the iPad
I happened to come across another cool app this week.  This specific app is for the iPad.  It’s relatively simple, as it turns your iPad into a tablet sized light box.  Thus, providing you with an easy way of viewing and evaluating your negatives.  I haven’t actually tried it yet, but it’s free, so how can I not download it?  it will be the cheapest light box that I’ll ever find.  Check it out here and here.
That does it for this week.  Get out there and shoot and I’ll see you all next week.

Sunday, June 9, 2013

Photography Week in Review - June 3-9


Welcome to the first full week of June.  It’s hard to believe that we’re to the halfway point of 2013.  It’s almost officially summer and that usually means additional shooting opportunities.  Here’s hoping you’ve been able to get out and shoot.  Now, onto the Photography Week in Review for June 3-9.
Mat Marrash Print Sale
I’m a big fan of Mat’s work.  Not only is he extremely talented, he’s also a great teacher willing to share his knowledge.  Mat is also willing to lend a hand to other artists in need.  Lauren Bagley, a brilliant illustrator, was the victim of a massive hardware crash resulting in the loss of her PC and tablet.  Mat’s hosting an “emergency print sale” for three of his most recent large format prints.  All proceeds are going to Lauren to help get her back up and running.  This is a great opportunity to own some of Mat’s beautiful work and help another artist.  Learn more and buy prints here.
Ringo Starr Photography Book
While on the subject of prints for sale, Ringo Starr is set to release an e-book titled “Photograph” this week.  The book features never before seen photographs of The Beatles and is being released in conjunction with the Grammy Museum’s exhibit, “Ringo:  Peace & Love.”  The book will be available in physical format in December.  Read more about it here.  
Japan Camera Hunter Zine and Book Feature
I talked about the Japan Camera Hunter site a few weeks ago.  This week he posted a little write up regarding a few self published zines and books that he received in the mail.  He’s definitely a fan of this format and has decided to do a feature on them (potentially once a month, depending on the number of submissions he receives).  This is a great opportunity to get your work seen by a much bigger audience.  Read the post and learn how to submit your zine or book here.
British Journal of Photography Article on Creative Peak/Decline
This article can be summed up by a quote from one of the individuals that was interviewed for it:  “How do photographers keep their work fresh in the face of - “probably the greatest taboo subject of all” - creative decline?”  The issue is now on newsstands and features exclusive interviews with photographers aged 19 to 100 and how they keep their work fresh as they age.  It’s a great read, so I highly recommend picking up a copy.  Additionally, it’s nice a companion to my ongoing series about the creative process.  You can read highlights from the article here.
Lomography Releasing a New Product
Based on their great marketing and product packaging, Lomography likes everyone to believe that they have the perfect tools for keeping your creativity as a photographer alive.  Love them or hate them, they do a great job of promoting analogue photography.  In that vein, they’ve been teasing their brand new mystery product this week.  They’ve released four clues regarding the product they’re set to announce in a few days.  Based on the clues, my early guess is a SLR system.  Guess for yourself here and stay tuned as the announcement is set for this coming week.
Ona Releases New Camera Bags
While I’m on the subject of new products, a camera bag company that I’m obsessed with announced a new line of bags for this summer.  Ona is a company with a simple vision:  To provide camera bags and accessories that complement your life and style.  I’m in love with their Union Street bag and I hope that I will have it as part of my gear soon.  However, that is not their newest bag.  They just announced a new line for summer.  Here are the gorgeous bags that have been added to their already stellar line-up:  The Leather Bowery, The Bolton Street Backpack, The Dark Truffle Leather Brixton, The Smoke Bowery and The Presidio Camera Strap.  Learn more about Ona here.
New Apps
I have a couple new apps that I wanted to share this week.  The first one was not necessarily released this week, but just came to my attention.  It’s called Shutter-Speed.  It’s an iPhone app that measures the shutter speeds of old cameras.  If you’re like me and you have a collection of old manual cameras, then this app is something that will definitely come in handy.  Unfortunately, as time passes by, the shutters of these old manual gems seem to slow, which can cause improper exposure of your film.  This app measures the shutter speed of these manual cameras using sound waves to mark the time when the shutter opens and when it closes.  I haven’t been able to test it yet, but I’m definitely intrigued.  Read more about it here and here.
The second app that I wanted to discuss was just released this week.  The VSCO Cam is a new mobile photograhy app that is like Instagram on steroids.  You can take images directly from the app, edit immediately after capture, add filters from their multitude of presets and share the image across multiple channels.  The interface is sleek and shiny and is due to attract many hardcore mobile photographers.  I downloaded the app but have yet to really play around with it.  Regardless, I recommend checking out their promotional video here and seeing what the app is all about.
Pdexposures Release Podcast Episode #11
It just wouldn’t be a week in review if I didn’t mention the Pdexposures gang, would it?  They released their 11th podcast episode this week and it’s all about instant film.  Nate, Tony and Simon discuss the evolution of The Impossible Project, Fuji Pack Film and Fuji Instax.  Would you believe that Tony is a fan of instax?  They’re back with their normal banter and they even include some instant photography book recommendations.  Check the podcast out here.  
That’s it for this week.  Stay tuned for part three in my creative process series (due to drop in no more than two days) and I have a few new images from a shoot last fall to post.  Keep shooting and have a great week!

Sunday, February 5, 2012

More Holga Fun

I've become quite fond of my Holga 120N camera over the past year.  I've ran a number of different film styles through it and I've shot it in various lighting conditions and settings.  I've had great results; I've had good results and I've had bad results.  It's all part of the fun with film and the Holga.  My latest Holga experiment came on my recent trip to San Francisco and Sonoma.  I shot a roll of Lomography 100 Color Negative film and a roll of Kodak Tri-X 400 (which was shot with a Holga red filter).  The color negative was shot on Alcatraz and around Fisherman's Wharf.  The Tri-X was shot in Sonoma and the rest of the roll was finished up in Ohio at the Hobart Nature Preserve.  I was pleased with the results; I hope you enjoy them as well.


















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative

Tuesday, November 22, 2011

Random Camera - Lomography Diana F+

For this post, I'm going to try something a little bit different.  I'm going to post a video unboxing (even though this isn't the newest camera on the block), overview and review of the camera and my results thus far. 

The most recent roll of film I shot through the Diana F+ was only my second roll; so like most of my other cameras, I'm still learning their intricacies and peculiarities.  The first roll of film that I ran through my Diana F+ was Lomography Color Negative 100 and I shot that on my weekend photo trip to Mansfield, Ohio earlier this year.  The second roll was Ilford Delta Pro 3200 black and white.  I had a few nice shots on the first roll, so I was expecting a better outing with my second roll.  Unfortunately, that didn't occur. Before I get to the video review and my results, here's a little background info on the Diana F+.

It might surprise some of you, but the Diana camera has been around since the '60s.  According to the Lomography website, there was a small Hong Kong firm named "The Great Wall Plastics Factory" that created the Diana camera, made entirely of plastic, for a cost of about a dollar a camera.  The camera was a commercial failure and was discontinued in the '70s.  It gained a popularity among avant garde artists and lo-fi photographers for the type of images it produced.  There were many Diana "clones" produced during the same time, but the shift in consumer preference to 35mm doomed the camera.  However, in 2007, Lomography decided to "rebuild" the camera from the ground up and the Diana F+ was born.  The original Diana was equipped with two shutter speeds, three apertures and manual focusing.  The Lomography rebirth of the Diana kept the main features of the original, but added a few new tricks to the old dog of a camera.  It was now equipped with a pinhole mode, endless panoramas and a boat load of accessories.

So, now that you know a little history about the Diana, let's get to the video unboxing and results gallery!



After recording and watching this blogpost, there are a few things that I would like to change as I produce more of these segments.  So, I hope you'll forgive the long-windedness, the less than stellar camera placement and the other flaws with my first video review.  Regardless, I hope you have a better idea of the Diana F+ and the results it can achieve.  Here are the images that were featured in the video:

Roll #1 - Lomography Color Negative 100








The last two shots in that series were shot using the Diana F+ pinhole mode.  I really like the results I was able to achieve using this mode and I look forward to experimenting with it more in the future.  The next set of images is from my second roll, which was shot on Ilford Delta Pro 3200.  This is the loose roll that I mentioned in the video.  The effect on the film was the interesting light leaks and the backing paper image being burned onto some of the exposures.  I like the effect it had on some of the images and that's part of the fun/appeal of a Lomography camera.

Roll #2 - Ilford Delta Pro 3200 Black and White (The Loose Roll)






So, not bad for the first two rolls on the Diana F+.  I look forward to trying the camera out with the small modification I made to the spool/film holders.  I hope it fixes the "loose roll" problem and I'll be anxious to display the results.  If you're interested in checking out the results of a few professionals that use the Diana, check out Mark Sink and Allan Detrich.

Sunday, November 13, 2011

Random Camera - Lomography Fisheye No. 2

Last week I shared a few images and my thoughts on Lomography's Redscale film.  This week, I'll do the same with the Lomography Fisheye No. 2 camera.  I received this camera as a Christmas gift from my wife last year.  I ran a test roll of Fuji Superia 400 color negative film through it and had it processed at the local Walgreens.  The results were less than satisfying, but they did unveil a few pecularities of the Fisheye camera that would be helpful for all future rolls.

The Lomography Fisheye No. 2 camera was launched by Lomography in 2006; just one year after their successful launch of the original Fisheye camera.  According to their site, the original Fisheye quickly became the best selling plastic camera of all-time; I'm not sure if those numbers still stand, but based on the Flickr groups and the images uploaded on Lomography, it's still very popular.

The Fisheye No. 2 camera is a very compact, lightweight, 35mm shooter.  It's 10mm f/8 lens captures roughly 170 degrees of your surrounding environment.  The camera has two shutter speeds; 1/100 of a second and bulb, which of course allows for long exposures.  The Fisheye No. 2 also comes with a hot shoe mount and a built in flash as well as a handy multiple exposure switch.  All of these features make for a compact, fun, lomographic experience of film photography.

After shooting a roll of film and viewing the results, you'll quickly discover that the Lomography Fisheye No. 2 is a camera that likes a lot of light.  Even if you shoot 400 speed film like I did, a sunny, well-lit environment performs best for this camera; unless of course you're shooting at night and using the long exposure button.  In my first roll, I wasn't aware of this fact and only about half of my exposures came out.  I fared much better with my second roll; I didn't lose a single exposure.  The other thing that takes some practice is the viewfinder.  Similar to all toy/plastic cameras, their is not a mirror system in place.  So, what you see through the viewfinder is not exactly what the lens sees.  With the Fisheye No. 2, I've had a tendency to frame the top of the shot too close.  With a little practice, it's easy to adjust and you won't be in for any surprises when you get your results back.  The multiple exposure button is a nice feature that makes double exposures super easy.  Once you fire a shot, simply click the MX switch and fire another exposure.  Do it again for a triple exposed shot or simply wind the film to the next frame.  I didn't try the MX switch with my first roll, but I did with my second and I liked the result. 
























The second roll of film I ran through the Fisheye No. 2 was again the Fuji Superia 400 color negative.  This roll took about 10 months for me to finish.  I loaded it in January and it stayed in the camera until October.  I carried the Fisheye No. 2 with me everywhere, but I only shot it when I felt I had the appropriate subject or the appropriate scene for the extreme look the fisheye lens creates.  Once I received the processed film back from Blue Moon Camera and Machine, it was like Christmas.  Each image, possibly taken months ago, was like a present.  I literally experience the changing of the seasons on one roll of film.  The Fuji Superia 400 is a basic consumer film, found at local supermarkets and big box stores.  The colors are not heavily saturated and the film produces a very noticeable grain.  The Superia is not a film that I will purchase on a regular basis, but it was perfect for experimenting with a new camera. 















All in all, the Fisheye No. 2 camera is a fun little camera.  I wouldn't recommend it for everyday shooting, but it's a great camera suited for experimentation.  The multiple exposure button, the 170 degrees of view and the extreme close-ups are perfect for creating unique images that help communicate artistic vision.  If you're shooting the camera for fun versus artistic expression, it's perfect for parties and hanging out with friends because of the unexpected results.  In fact, after seeing my second roll of film, I'm looking forward to using the Fisheye No. 2 a lot in 2012.






Sunday, November 6, 2011

Random Film - Lomography Redscale 100

First, I would like to apologize for not keeping up with the new features of the blog that I planned on implementing awhile back.  I briefly discussed some photo news in one post, but I've yet to launch the photographer profile section.  I was busy with a few other things in my life at the time and I haven't been able to keep it as updated as I would like.  I still plan on launching that section and providing some additional photo news, I just don't have a timeline for it. 

I recently blogged about my trip to the Trans-Allegheny Lunatic Asylum.  In preparation for that trip, I had to finish shooting a number of started rolls in various cameras.  I recently finished all of those rolls and just received them back from processing.  My next few posts will be dedicated to talking about the film used, the cameras they were shot with and the images.  The first film that I'm going to discuss is Lomography Redscale 100.

When I purchased my Hasselblad 500 c/m, the only roll of film I currently had lying around to test it out was the redscale film.  Two items that are on opposite ends of the spectrum; one of the sharpest medium format cameras made and a film that is shot on the opposite side of the emulsion and sold by a company that embraces the flaws, light leaks, the imperfections and the accidents in analog photography. 

According to Lomography, the redscale film is the world's first preloaded and ready to shoot redscale film.  In fact, the redscale effect can actually be achieved by simply loading 35mm in a camera backwards.  The back of the film has a semi-transparent layer to protect the emulsion from extra light hitting it and when the film is flipped, shooting through this layer produces red, orange and yellow tones.  This effect is very similar to shooting through a red or orange filter with unpredictability thrown in.

The key word for this film is unpredictable, because that's exactly what shooting Lomography Redscale film is.  It's rated at a speed of 100 and I took it out on a very sunny day.  I was armed with the Hasselblad and a light meter.  I took my time setting up shots and tried to get the correct exposure.  When I received my processed film, I wasn't that happy with the final results.  They lacked the range of reds, oranges and yellows that i saw in the Lomography gallery.  Some of my shots were dark, bluish and green.  In addition to that, the film was prone to heavy scratches.  One roll wasn't enough to make a solid judgement, so I felt I needed to give the film another chance.  Below are a few examples of the Hasselblad red scale images.


















Shot at F5.6 @ 1/60 second


















Shot at F5.6 @ 1/250 second


















Shot at F5.6 @ 1/125 second

The next time around, I decided to shoot redscale through my Holga.  I felt that I might get better results using a "lo-fi" camera with a "lo-fi" film.  This particular roll of film took awhile for me to finish up; I shot it in a number of different locations, but I tried to use it in as much light as possible.  The results were better this time around, but I still received dark and muddy results in a few of the frames.  In addition to that, there was an odd bluish-green fogging that appeared on the film during processing.  Now, I use a highly professional lab, so I don't chalk that up to the technicians that processed the film.  I think the film is highly unpredictable, which can be expected by basically shooting through its' backside. 

In my opinion, to achieve the best possible results from the film, one should shoot this film on a bright and sunny day and overexpose by about two stops to achieve the best possible tonal range the Lomography Redscale film has to offer.  It's an interesting film; one that I probably won't use too often.  When exposed properly, it produces a distinctive, enjoyable result.  Results that can be quite stunning.  But, if you're not into Lomography and unpredictable flaws, this film is not for you.  Here are a few images from the second roll of redscale that I shot on my Holga:




Sunday, June 19, 2011

Mansfield, OH Images


















Richland Carrousel
Camera:  Diana F+ Pinhole 1.5 minute exposure
Film:  Lomography 100 color negative


















Downtown Mansfield
Camera:  Holga 120N
Film:  Rollei Retro 80s


















Haunted Bissman Building
Camera:  Holga 120N
Film:  Rollei Retro 80s


















A Painter's Workshop
Camera:  Diana F+
Film:  Lomography 100 color negative


















Statue from afar
Camera:  Diana F+
Film:  Lomography 100 color negative

















Reflections
Camera:  Holga 120N with red filter
Film:  Ilford SFX 200 Extra Red Sensitivity



















Entrance way
Camera:  Holga 120N with red filter
Film:  Ilford SFX 200 Extra Red Sensitivity



















Lilly Pad
Camera: Polaroid SX-70 Sonar One Step w/ ND filter
Film:  Impossible Project PX680 Color Shade First Flush


















Kingwood Center Gardens
Camera:  Diana F+
Film:  Lomography 100 color negative


















Pine Forest Pinhole
Camera:  Diana F+ Pinhole 3 min. exposure
Film:  Lomography 100 color negative


















Building
Camera:  Tripod mounted Canon AE-1P 28mm lens f/8 @ 1/500 sec.
Film:  Kodak Tri-X 400


















Downtown Urban Decay
Camera:  Tripod mounted Canon AE-1P 28mm lens f/16 @ 1/125 sec.
Film:  Kodak Tri-X 400


















Towering Trees at Mohican State Park
Camera:  Tripod mounted Canon AE-1P 28mm lens f/16 @ 1/60 sec.
Film:  Kodak Tri-X 400


















"Stop"
Camera:  Holga 120N
Film:  Rollei Retro 80s