Showing posts with label Ohio. Show all posts
Showing posts with label Ohio. Show all posts

Wednesday, July 11, 2012

Analog's Pulse Instant Photos

In my last post, I mentioned that one of the three photo walks that took place during the Analog's Pulse weekend in Cleveland, Ohio was an instant photo walk.  This was probably my favorite walk of the day, as I was able to use two of my favorite cameras - The Polaroid SX-70 Land Camera and the Polaroid SX-70 Sonar One Step with ND filter.  While I didn't place in the instant photo contest, I did create a few images that I'm very happy with.  Below are some of the fruits of that walk.  Enjoy!

Camera:  Polaroid SX-70 Land Camera
Film:  Impossible Project PX70 Cool

Camera:  Polaroid SX-70 Sonar One Step w/ ND Filter
Film:  Impossible Project PX600 Silver Shade UV+ Black Frame

Camera:  Polaroid SX-70 Land Camera
Film:  Impossible Project PX70 Cool

Camera:  Polaroid SX-70 Sonar One Step w/ ND Filter
Film:  Impossible Project PX600 Silver Shade UV+ Black Frame

Camera:  Polaroid SX-70 Land Camera
Film:  Impossible Project PX70 Cool

Camera:  Polaroid SX-70 Sonar One Step w/ ND Filter
Film:  Impossible Project PX600 Silver Shade UV+ Black Frame

Sunday, July 8, 2012

Analog's Pulse

I have a number of blogposts on the horizon and I thought I would start them off with an overview of a great event that I attended last week.  The event was a three day film photography extravaganza (digital shooters were welcome too) in Cleveland, Ohio.  Analog's Pulse was coordinated by Scott Meivogel, photographer and owner of Aperture:  A Photography and Variety Store in the Tremont neighborhood of Cleveland and was sponsored by A and A Studios, Film Photography Project and Old School Photo Lab.

As the title of the event implies, this event was focused on film photography.  While digital technology has been flooding the photography landscape for the past decade, there has been an increasing number of shooters switching to film or rediscovering film.  There is a movement taking place and there is a clear energy behind it.  It's a very exciting time to be a photographer, especially one that loves to shoot film.  Regardless of your personal opinions, it's clear that Lomography and The Impossible Project have helped to foster this rejuvenation; all which led to an event like this being held in my home state of Ohio.



The event kicked off on Friday night with a "social hour" opening reception at Aperture.  A group of approximately 20-25 people attended from different areas of the U.S. (even Canada), enjoyed some frosty beverages and listened to opening remarks by Scott, Michael Raso of the Film Photography Project and Jake Bouchard of Old School Photo Lab.  After we went over the itinerary for Saturday and purchased our film, we went our separate ways.  I had the pleasure of having dinner with a few individuals at Prosperity Social Club.  Jared, a relatively new photographer from Point Pleasant, West Virginia (home of the "famed" Moth Man) and Chris and Katie, two amazing photographers from Milwaukee, were my company for the evening.  We enjoyed great food, beer and conversation.  Chris and Katie regularly travel Route 66 and document it with the help of Polaroid cameras and film.  In fact, they just released a book, six years in the making, entitled Polaroid Photos from Route 66.  In addition to that, they run a site entitled "Fading Nostalgia," they're Urban Explorers and Chris is an amazing night photographer.  It was a pleasure to meet these great individuals and it was the perfect kick off to the weekend.

Camera:  Canon AE-1P
Lens:  50mm
Film:  Fuji Provia 100 (XPro)
Saturday was a jam packed day with three themed photo walks, with the first set to start at 8:30 a.m.  We were to meet in between Gund Arena and Jacob's Field (now Quicken Loans Arena and Progressive Field) and start out on a street photography themed walk.  While the numbers weren't to the level of RSVP's received on Facebook, there were still a good number of people that showed up for this event and we added individuals as the day went on.  We made our  way through the Gateway District, E. 4th Street and ended at Public Square.  The walk was very informal, with Scott pointing out various landmarks as we walked.  Shooting took place sporadically, with different groups forming and advancing along the path.  For the first part of the day, I decided to keep my shooting pretty mindless and went with two "point and shoot" film cameras.  I broke out the Olympus XA2 loaded with Ilford HP5 Plus black and white film (I'll post those results once the roll is developed) and my Holga micro 110 camera loaded with Lomography's new Orca 110 black and white film.  I was able to finish my roll of HP5, but didn't shoot my 110.  The morning started out hazy with drizzle and the fixed aperture and shutter speed of the micro Holga coupled with the 100 speed of the film didn't lend itself to being used.  By the end of the first walk, the haze and drizzle lifted, the sun came out and the heat began to intensify.  I enjoyed the walk, but after attending several meet-ups, I've come to the conclusion that this type of event doesn't lend itself to my style of shooting.  I'm a solitary photographer that takes a lot of time to line up a shot, using my exposures sparingly and prefers to shoot with a tripod versus hand held. However, it's fun to meet new like minded people and geek out about cameras, film, photography and beer :)

Camera:  Canon AE-1P
Lens:  50mm
Film:  Fuji Provia 100 (XPro)
After a bit of a break and some rest, the instant cameras came out to play and the instant photo walk began. Most attendees were shooting multiple cameras, with a mixture of Polaroid pack film cameras and Polaroid integral film cameras being used.  I sported my original Polaroid SX-70 loaded with Impossible Project PX70 Cool film and my Polaroid SX-70 Sonar One Step with ND filter loaded with PX600 Silver Shade UV+ Black Frame.  This walk featured a contest for the best instant photo submitted (with three wonderful prizes at stake as well as pride) and spanned through the Warehouse District and the Flats.  It was a great walk, hearing the beautiful Polaroid sound coming from many integral cameras and other individuals pulling and peeling pack film.  I have a number of images from that walk that I'll also post once I have them scanned.  After the walk, we all chose our one best shot for the contest and headed back to E. 4th Street for lunch.  We decided on Flannery's Pub at the corner of Prospect and E. 4th.  I had a wonderful Reuben sandwich, enjoyed some beer and wonderful company.  We had about a total of two hours before the next walk was set to start.  I had a brief issue with my Hasselblad back (which seems to be fine now) and so instead of shooting a roll of slide film for the next walk in my medium format beauty, I had to switch it up to a roll of 35mm slide film in my Canon AE-1P with 50mm lens.  Since my hotel was right down the street, I switched out cameras, unloaded some gear and grabbed an iced coffee at the Erie Island Coffee Company before we headed out for the third and final walk of the day - the cross process walk.  We headed out to the theater district of Cleveland and snapped away using film provided courtesy of A and A Studios.  Jake Bouchard from Old School Photo Lab gave us a few pointers on shooting the film for cross processing and we trekked across the theater district and ended up in an old cemetery right behind Jacob's Field.  I had fun on this walk, but I had to change gears as a shooter, seeing as how I had to get through 36 frames within two hours.  Anyone that knows my photographic style and how I shoot knows that the task set before me is a tough one.  However, I was able to finish, although I had about 10 "throw away" exposures and candids at Panini's, which was where we ended the day.  Scott said a few words, announced the winners of the instant photo shoot, and we all drank and enjoyed each other's company.  After awhile, everyone began to go their own way and soon the night was over.

Camera:  Canon AE-1P
Lens:  50mm
Film:  Fuji Provia 100 (XPro)
Even though a few attendees headed out on Sunday for a large format walk, my Analog's Pulse experience was over.  It was a great time and I'm glad I could take part in the event.  I met a lot of great photographers and people for that matter, enjoyed great food and company and got to shoot the cameras that I love so much.  It was the second time that I've been to Cleveland in the past few months and I'm really beginning to dig the city.  I want to return to shoot some of the areas by myself; where I can set up my tripod and just take my time.  Regardless, I would participate in this event again.  I know something is brewing for next year,  so stay tuned to Scott's website and get excited for F8 in 2013.  Until then, cheers and keep shooting!

Camera:  Canon AE-1P
Lens:  50mm
Film:  Fuji Provia 100 (XPro)

Sunday, February 5, 2012

More Holga Fun

I've become quite fond of my Holga 120N camera over the past year.  I've ran a number of different film styles through it and I've shot it in various lighting conditions and settings.  I've had great results; I've had good results and I've had bad results.  It's all part of the fun with film and the Holga.  My latest Holga experiment came on my recent trip to San Francisco and Sonoma.  I shot a roll of Lomography 100 Color Negative film and a roll of Kodak Tri-X 400 (which was shot with a Holga red filter).  The color negative was shot on Alcatraz and around Fisherman's Wharf.  The Tri-X was shot in Sonoma and the rest of the roll was finished up in Ohio at the Hobart Nature Preserve.  I was pleased with the results; I hope you enjoy them as well.


















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N with Holga Red Filter
Film:  Kodak Tri-X 400



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative



















Camera:  Holga 120N
Film:  Lomography 100 Color Negative

Monday, November 28, 2011

Random Film - Adox CHS 50 ART

The next film I'm going to discuss in my "Random Camera/Random Film" series is an emulsion from Germany.  Adox was founded in 1860 and touts itself as the world's first photochemical factory.  They produced two films that were dubbed the "German Wonderfilms;" they were the KB14 and KB17.  In fact, those films are still produced today and are known as Adox CHS 25 and Adox CHS 50.  It just so happens that I've shot a lot of the Adox CHS 50 film and that's what I'll be discussing today. 

Adox CHS 50 is a thin layer black and white film that produces the second finest grain from the Adox film line.  According to Adox's website, the film has a wider latitude than the CHS 25.  You can expose the shadows and also develop the highlights.  I wish I could provide an expert opinion on pushing, pulling, exposure and development of this film, but I have yet to dive into the world of home development.  My lab, Blue Moon Camera and Machine, have handled the processing of this film. 

I can tell you that I've shot six rolls of the Adox CHS 50 and I've been very pleased with the results, even in a few extremely low light environments.  My first impression of this film is that it has a wide tonal range and provides significantly less contrast than the black and white film I'm most familiar with - Kodak Tri-X 400.  It has a vintage look that's very pleasing on the eye, especially when used for portraits.  Adox CHS 50 was the first professional film that I used in my Hasselblad 500 c/m when I wandered around downtown Findlay, Ohio during the FPP Midwest Meet-Up earlier in the summer.  The films' grain structure was perfect for some of the urban decay/landscape images that I was after.  It was very forgiving for any exposure misreading I may have obtained since it was my first experience metering for myself.  Below are a few results from that first roll; notice the grain structure and the tonal range in the images.


Camera:  Hasselblad 500 c/m
Lens:  150mm f/4
F/4 @ 1/125 second


















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F4 @ 1/500 second

My second experiment with this film was for a project that I've not discussed at length.  I've simply previewed it on this blog, but it was a project that was a number of steps outside of my comfort zone.  Portraiture was the main focus of the project and the film performed extremely well.  Again, it provided a nice tonal range and it was well suited for the portraiture work.  The main flaw for me wasn't the film, but mastering the focus on my Hasselblad and it's 150mm lens.  In the sharpest images, the details were presented perfectly.  At the completion of this project, I had shot a total of 4 1/2 rolls of the Adox CHS 50.  Following the portraiture project, I had an impromptu visit to East Texas and decided to bring a roll of Adox and my Hasselblad to shoot.  I'll get to that shooting experience after the following images shot on the Adox CHS 50 ART for my portraiture project.


















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F8 @ 1/60 second


















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F8 @ 1/30 second


















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F5.6 @ 1/60 second


Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F4 @ 1/15 second

As I mentioned, I took a trip to East Texas and decided to bring the Hasselblad and a roll of Adox to take a few images of Gilmer and Fort Worth while I was there.  I shot about half of the roll in Gilmer, during a hot, sunny day.  The second half of the roll I shot at night in the historic stockyards of Fort Worth.  I wasn't worried about the Gilmer shots, but I was a little leery about how the film would perform at night with very little light.  It's a slow film, with an ISO of 50; so, I knew I would be mounting the Hasselblad on my tripod for long exposures.  The night shots weren't perfect, but they came out better than I expected.  When I have more time, I would like to test this film in additional night settings.  Below are a few results from the Texas trip.


















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F16 @ 1/30 second



















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F11 @ 1/60 second



















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F16 @ 1/60



















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F16 @ 1/60 second


















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F4 @ 1 second



















Camera:  Hasselblad 500 c/m
Lens:  150mm f4
F4 @ 2 seconds

The last roll of Adox that I shot was a roll of 35mm.  I shot this roll throughout the summer.  I started it at the FPP Midwest Meet Up, I continued it through my unnamed portraiture project, and I finished shooting it at various locations throughout Ohio.  The 35mm performed quite well, however, I did notice that it provided much more contrast than my rolls of 120.  Below are a few images of the 35mm Adox CHS 50 ART.













Camera:  Canon AE-1P
Lens:  50mm
F4 @ 1/60 second


















Camera:  Canon AE-1P
Lens:  50mm
F8 @ 1/250 second













Camera:  Canon AE-1P
Lens:  50mm
F4 @ 1/500 second













Camera:  Canon AE-1P
Lens:  50mm
F2 @ 1/500 second













Camera:  Canon AE-1P
Lens:  50mm
Shot on Program Mode













Camera:  Canon AE-1P
Lens:  50mm
F2 @ 1/30 second













Camera:  Canon AE-1P
Lens:  50mm
Shot on Program Mode

So, after six rolls of Adox CHS 50 ART, both 120 and 35mm, I would say that I can establish a pretty fair opinion of the film.  The film has a very smooth tonal range, composed of whites, blacks and a very large range of grays.  It has a vintage look and feel to it and it's well suited for both urban decay, urban landscapes and portraiture.  It wouldn't be the first film that I would grab for an outing of low light and night time shooting, but with a tripod and long exposures you can still achieve satisfying results.  It's low speed will also work well in vintage cameras with fixed shutter speeds, such as Kodak Brownie box cameras.  I will definitely be shooting more of this film in the future and I highly recommend testing it out.  For home developers and technical spec junkies, here's a link to the film's data sheet.  To learn more about Adox, check out their site here.