Showing posts with label Polaroid. Show all posts
Showing posts with label Polaroid. Show all posts

Saturday, October 27, 2012

Seattle

This year, my annual anniversary trip took my wife and I to Seattle.  Seattle has been on both of our travel lists for awhile now and it is one of the premier cities, if not the premier city, in the Pacific Northwest.  Seattle is situated on a narrow strip of land between two bodies of water; the salt waters of Puget Sound and the fresh waters of Lake Washington.  The area was first settled in 1851 and they originally dubbed the settlement "New York," but after moving to what is now known as Pioneer Square, they soon renamed it Seattle.

It's funny that the first settlers named the city New York, because I compared the two cities frequently during the trip.  The similarities between them are obvious (at least in my eyes): intellectuals are in abundance, foodies have many choices, culture and diversity is appreciated and celebrated, iconic landmarks are present and each city is made up of very distinct and different areas.  Where they differ is the pace of each cities' inhabitants.  Seattle is much more laid back than New York.  The people seem friendlier and things seem to move at a more relaxed and "chill" manner.  Don't get me wrong, I love visiting New York, but it's not a place that I would consider living.  However, I could see myself living in Seattle.  There's something about the Pacific Northwest and Seattle specifically that's very appealing.  Maybe it was the fact that I was visiting during my anniversary with my wife or that we had wonderful weather and we were able to experience a lot that the city had to offer.  Regardless, I really connected with the city and I feel as if I was really able to take in the environment and surroundings.

Our stay was split into two areas (Belltown and Downtown).  It didn’t matter a great deal because Seattle is a very easy city to get around in and the hotels were literally a few miles apart on the same street.  Walking to various locations is very feasible and for areas that are a little farther from your accommodations, the bus is a cheap and easy mode of public transportation.  All it takes is a little consulting of the King County Metro Transit website and you will have the entire trip planned out for you.  During specific times of the day and year, the bus is free within a set downtown Seattle Radius.  We began our trip in Belltown, a cool, little neighborhood featuring some fabulous dining spots and interesting boutique shops.  It’s within walking distance of Pike Place Market, the Seattle Waterfront and Seattle Center.  One of the gems of that neighborhood was our hotel, The Ace Hotel.  The Ace is a hip, boutique hotel which occupies a historical building.  The décor can be described as hip, funky, Pacific Northwest chic.  The pricing is outstanding for a downtown Seattle hotel and the staff will recommend cool spots that won’t be found in a guidebook or by your fancy hotel concierge.  If you’re ever in Seattle, I highly recommend staying there.  A few other cool spots to visit in the Belltown area are Macrina Bakery, Local 360 and Bedlam Coffee.
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Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film

Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film

On our very first night in Seattle, we did the touristy thing and headed over to the Space Needle.  If you weren’t aware, the Space Needle is currently celebrating its 50th Anniversary.  It was built in 1962 as the symbol of the World’s Fair which eventually lead to it being the symbol of Seattle.  It’s one of the most recognizable structures in the world and is worth seeing in person.  The ride up to the top is bit of a tourist trap, but it’s worth doing once to see the Seattle skyline from a 360 degree view.  As a photographer, it’s hard to approach a subject so iconic because it’s been “photographed to death” by countless individuals.  However, I tried to use my unique approach to photography as well as draw inspiration from Zeb Andrews’ Eiffel Tower series to shoot the Space Needle differently.  I was happy with what I was able to capture.

Camera:  Canon AE-1P
Film:  Kodak Tri-X 400

Camera:  Canon AE-1P
Film:  Kodak Tri-X 400

Camera:  Canon AE-1P
Film:  Kodak Tri-X 400

Our first full day in the city began on a bike.  We took a two hour bike tour of the city, visiting many different areas like Pioneer Square, the International District and the Seattle Waterfront.  Our guide also provided us with a great deal of history about Seattle and the various areas that we saw.  It was a great tour, but buyers beware when biking in Seattle; the hills are killer.  From a couple that usually bikes an average of 10 miles per bike ride, we thought it would be rather easy.  Trust me, you find out how flat Ohio is after biking in Seattle.  After our tour, we walked a few blocks to Pike Place Market.  It was super crowded (as it was every time we passed it) and loaded with tourists but it featured some of the freshest fruit, vegetables, seafood, flowers and goods you can find.  We picked up a few lunch items, including some amazingly delicious peaches, and enjoyed lunch while overlooking the waterfront.  We did some shopping and stopped back at the hotel; from there we headed to another area called Ballard.  Ballard is off the beaten path in Seattle and is an old railroad/shipping town.  We didn’t spend much time there, but we were treated to some authentic Comida Tipica Mexican food at Senor Moose.  If you like authentic Mexican, then this hole in the wall restaurant is definitely a place to look up.  After scoring a table upon arrival, the place was at capacity and there was a steady 35-45 minute wait for patrons from the moment we were seated until after we left.  It was also voted best Mexican Restaurant in 2012 by Seattle Weekly as well as Best Margarita.  Believe me; it lived up to the hype.  Afterwards, we then headed to the super hip Capitol Hill neighborhood for drinks and dessert at an ultra cool prohibition style bar named Tavern Law. 

Camera:  Polaroid 440 Automatic Land Camera
Film:  Fuji FP-100C

Our last two days in Seattle were packed with activities.  After some antiquing on the waterfront, we hopped a ferry to Bainbridge Island.  Bainbridge is a 30 minute ferry ride from Seattle and is about 28 square miles and has a population of a little over 23,000 people.  To give you an example of its’ size, Manhattan is about 23 square miles in size but has a population of about 1.6 million. It’s a little bigger than NYC, but with only 1% of the population.  The community is vibrant, artsy and quaint.  The town center, Winslow, is bustling with boutiques, shops, bistros, cafes, galleries and museums.  It’s a great place to spend a day.  After exploring on foot, we decided to rent bikes for the afternoon and make the trek to an organic distillery about 2.5 miles away from the town center.  Again, we were faced with the harsh reality of Washington State hills. It took us 45 minutes to get the distillery and we were exhausted.  The distillery, Bainbridge Organic Distillers, was a fun pit stop.  While their operation is small and they’re still trying to perfect their formulas, they have managed to create a gin that is very distinctive and they have a waiting list for their whiskey, which was still aging in the barrels.  After a few samples and a bike ride back to the ferry, it was time to head back to Seattle for the evening.

Camera:  Canon AE-1P
Film:  Kodak Tri-X 400

Our last day was spent exploring, shopping, eating and drinking in the Capitol Hill neighborhood.  We briefly explored this area when grabbing a drink at Tavern Law, but this time we had more time and were able to explore it in daylight.  Like other areas of Seattle, Capitol Hill is situated on a hill and is east of the central business district.  This neighborhood is very hip and reminds me a lot of the Lower East Side in NYC.  If you’re looking for a variety of things to do and a vibrant night life, then this neighborhood is the perfect place to spend your time.  After a fulfilling brunch at Oddfellows, vinyl, book and vintage shopping, coffee and espresso at Espresso Vivace and a few brews at Elysian Brewing Co., we headed to the Bumbershoot festival.  This is Seattle’s annual Labor Day Music and Arts Festival.  It’s a three day event that features countless music acts (including some fairly big names), comedians, arts and food vendors.  We had a great time at the festival and were able to watch sets from City and Colour and M. Ward.  It was the perfect end to our wonderful trip.

Camera:  Polaroid SX-70
Film:  Impossible Project PX70 Cool

Camera:  Polaroid SX-70
Film:  Impossible Project PX70 Cool

Camera:  Polaroid SX-70
Film:  Impossible Project PX70 Cool

After a morning coffee run at Stumptown Coffee Roasters, it was time to hop a cab to the airport and head back to Ohio.  In my research for the trip, I came across a quote from an article by Travel + Leisure’s Gary Shteyngart.  He was writing about a recent trip to the city and a waitress said to him:  “You have to leave it to love it.”  I think that quote sums up Seattle – you don’t know how magical it is until after you’ve visited.  Being with the right people helps, but there’s just something about this city.  It will stick with you and that’s greater than any souvenir you can purchase.  That’s how traveling should be; the feeling and memories of your short time in locations and destinations should resonate with you longer than the magnet or trinket you brought back home.  Embrace the city, become part of the local culture and reflect often.  It’s the true essence of travel and you’ll never forget.

Camera:  Canon AE-1P
Film:  Kodak Tri-X 400

Sunday, January 22, 2012

"Chocolate" Sonoma

In 2011, The Impossible Project put a number of old Polaroid films for pack cameras on sale.  One of those films was Polaroid Chocolate.  This is an 80 speed film that features gorgeous brown tones, hence the chocolate in the name.  Like all other Polaroid branded films, this is no longer produced.  Impossible Project had some remaining stock and I'm glad I stocked up since I hadn't had a chance to shoot this film before.  I felt like Sonoma would offer me the perfect landscape to try this film out.  Seeing the amazing results posted on Flickr and Polanoid, I was anxiously awaiting my experience.  This film is everything it's cracked up to be; I'm in love with the film and I can't wait to shoot it again.  I shot one pack and was very happy with the results, which you'll find below:


















Camera:  Polaroid 440 Automatic Land Camera
Film:  Polaroid Chocolate (Expired 2009)



















Camera:  Polaroid 440 Automatic Land Camera
Film:  Polaroid Chocolate (Expired 2009)

















Camera:  Polaroid 440 Automatic Land Camera
Film:  Polaroid Chocolate (Expired 2009)





















Camera:  Polaroid 440 Automatic Land Camera
Film:  Polaroid Chocolate (Expired 2009)




Camera:  Polaroid 440 Automatic Land Camera
Film:  Polaroid Chocolate (Expired 2009)

Sunday, January 15, 2012

San Francisco in an Instant (Images)



















Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film



















Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film



















Camera:  Polaroid SX-70 Sonar One Step
Film:  Impossible Project PX680 Gold Frame Edition



















Camera:  Polaroid SX-70 Sonar One Step
Film:  Impossible Project PX680 Gold Frame Edition



















Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film



















Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film



















Camera:  Polaroid SX-70 Sonar One Step
Film:  Impossible Project PX680 Gold Frame Edition



















Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film



















Camera:  Polaroid SX-70
Film:  Impossible Project PX100 UV+ Test Film

Thursday, September 15, 2011

Instant Film Photography - The Rebirth?

Long before digital cameras came along, there was a different type of instant photography.  Instant photography as we know it can generally be credited to Edwin Land, who unveiled the first commercial instant camera in 1948, 11 years after the Polaroid Corporation was founded.  Edwin Land, a innovator and genius who has over 500 U.S. patents to his name, was inspired by his three year old daughter.  She wanted to know why she couldn't see the picture he just took of her.  Obviously, immediate gratification has been a character trait of the American people for a long time, as is evident with this example.  Land initially developed instant film and then the  mass market camera was released to the public a year later.

Polaroid enjoyed a long, successful run, but when the industry shifted to digital, they had a hard time competing and eventually filed for Chapter 11 in 2001.  Everything, including the Polaroid name, was sold to a Bank One subsidiary.  Instant cameras ceased to be produced by Polaroid in 2007 and the film was discontinued in 2009. This left many fans and users in a state of shock while putting thousands of perfectly good Polaroid cameras out of use.  Fujifilm introduced their own line of instant photo products in 1981.  They were allowed access to Polaroid's technology due to a technology share; Fuji's history with magnetic media was something Polaroid was interested in at the time.  This allowed Fuji to continue their foray into instant photography.  In 1999, Fuji launched the Instax integral series of instant photography products.  These cameras and film are still produced today.

So, after this brief overview of instant photography, you may be wondering what the point is.  Well, as I mentioned, I recently came across an article from the British Journal of Photography about Fujifilm and its' commitment to instant photography.  Perhaps, it's a recommitment, since Fuji has been in the instant photography market since the 80s.  I'm not going to quote the article verbatim, but it's essentially stating that Fujifilm is relaunching the Instax brand with a marketing campaign featuring a website and Facebook page that targets the 15-25 year old female market.  Oliver Laurent, the author of the article, quotes Gabriel Da Costa, the product manager for Fujifilm as saying:  "There's a whole generation who missed out on the 'golden age' of instant photography and we're confident that the Instax range will prove to be a big hit with today's tech-savvy youth."  Here's a link to the whole article.

So, where does that leave us today and where does instant photography land in the scheme of things.  First, let me say that instant photography can serve multiple and very different purposes.  The thing that is great about instant photography is that it generates interest in traditional film photography.  It's no secret that I've been enamoured with the world of film this past year and if it takes a Fuji Instax camera to create that interest for someone else, then so be it.  An individual doesn't have to pick up a view camera to make film or their art relevant.  It's simply a medium; just as painting has oils, acrylics, spray, water colors, etc.  Film has instant, minox, 110, 35mm, 120, 4x5 and many other formats.  Each artist can use whatever canvas they choose as long as they are happy and it helps them achieve their artistic vision.  This is where I believe the different uses for instant photography come in.  The Instax camera is being marketing towards an age group that will love taking the camera with them to parties, concerts, clubs, and wherever else they go to hang out and have fun.  This camera will serve as a way to take those "photo booth" type pictures with their friends.  Instant cameras can also be used to document family memories.  Instead of taking hundreds of images that will never leave a digital screen, prints of a family Christmas or birthday can be made instantly.  It's simply magic.  That is what I see to be the first use of instant photography.

The second use of instant photography is to produce relevant photographic art.  It blows my mind when individuals don't consider Polaroid or instant photography to be a valid form of photography.  It's all about the vision of the artist.  If the artist uses instant film as his/her canvas, and the vision is achieved, then what does it matter?  Ansel Adams was a friend of Edwin Land and he helped Land perfect the film and cameras.  In fact, he produced an amazing book of his Polaroids called Singular Images.  Adams is a beloved photographer and was most famous for his large format, black and white, landscape work.  Yet, he used an instant film to produce different, but altogether, stunning images.  Who are we to judge what is a relevant format or not for an artist to use?  It's said that beauty is in the eye of the beholder; Polaroid, and instant film provide a specific type of beauty and should be treated as such.

I guess what I'm getting at is that instant photography is a relevant form of art and photography and I hope that companies that get behind it can continue to keep the format relevant. Anyone that commits to a potentially defunct format in the name of art should be applauded.  This allows an artist, such as myself, another way to flex my creativity.  What irritates me about Fujifilm is the lack of recommitment to the other instant film that they produce.  They still make Type 100 pack film for Polaroid Land Cameras.  They produce a black and white film; FP-3000b, as well as a color film; FP-100c.  There has been no announcement or indication that they will discontinue the film, but they've already quietly discontinued one of their other offerings about a year ago, the FP-100b.  Thankfully, there are individuals like Michael Raso of the Film Photography Podcast that are trying to get these cameras and film into the hands of photographers all over the world.  It would be a shame if all of the excitement and interest in Polaroid Land Cameras is for nought.  I hope they decide that to fully commit to instant film, they need to continue to produce and market the Type 100 film.  One would think that the success of the Impossible Project would be a contributing factor; while the two companies are at opposite ends of the spectrum when it comes to size, Fujifilm should look at the Impossible Project and learn how to spur a renewed interest in a format.

Instant photography was popular, became irrelevant to the general public and eventually faded into the background.  The impossible has happened and instant film photography is back into the consumer conscience; it's a true form of art and I hope companies such as Fuji and the Impossible Project are able to provide this canvas for a very long time.

Sources:  British Journal of Photography, Wikipedia

Wednesday, July 20, 2011

The Future of Kodak

Kodak. A word, a brand; something that's been synonymous with photography for over a century.  The Eastman Kodak Company was founded by George Eastman in 1892 and with it's establishment, essentially started an amateur photographer revolution and brought photography to a mass market. 

Kodak has produced and continues to produce amazing photographic emulsions.  The end of 2010 marked the end of an era, when Kodachrome ceased to be processed.  Kodachrome was produced from 1935 to 2009 and was a color film much different from anything that proceeded it.  Kodachrome had dye couplers added during processing, unlike other transparency and color negative films where they were actually incorporated in the emulsion layers.  This was one of the first successfully marketed color films and became so wildly popular that Paul Simon even wrote and recorded a song that peaked at number two in the United States.  It truly was something special and I'm sorry that I never got to shoot with the emulsion. 

Like Kodachrome, Kodak is finding it hard to navigate in the increasingly competitive world of digital photography.  A swift movement arrived and Kodak was caught with their pants down, so to speak.  Their digital cameras have been left behind by the titans of Canon, Nikon and Pentax.  They're also trying their hand at digital printing, but again, they are far from the market leader.  They are now simply keeping the corporation a float and are in serious financial trouble.  The Wall Street Journal  featured an article yesterday about the steep decline of Kodak's bonds.  Here's a link to the article.

It's a sad state of affairs and I hope they can refocus their energies and money on what they do best - film.  The film photography world; correction, the photography world wouldn't be the same without Kodak.  The same could be said about the loss of Polaroid.  While Polaroid is still around, they no longer produce instant film and it's left a gaping hole in hearts and cameras.  Thankfully, Fuji and Impossible Project are trying to fill that void.  Who will fill the void if Kodak leaves?  Let's hope it doesn't come to that and Kodak can some how continue developing great emulsions.  I can't imagine shooting with out Tri-X.  I urge every enthusiast and individual that still shoots film to continue buying Kodak film.  I'm not sure how much it will help, but it surely can't hurt.  I can't imagine photography without Kodak and I hope I don't have to.

Sunday, June 19, 2011

Mansfield, OH Images


















Richland Carrousel
Camera:  Diana F+ Pinhole 1.5 minute exposure
Film:  Lomography 100 color negative


















Downtown Mansfield
Camera:  Holga 120N
Film:  Rollei Retro 80s


















Haunted Bissman Building
Camera:  Holga 120N
Film:  Rollei Retro 80s


















A Painter's Workshop
Camera:  Diana F+
Film:  Lomography 100 color negative


















Statue from afar
Camera:  Diana F+
Film:  Lomography 100 color negative

















Reflections
Camera:  Holga 120N with red filter
Film:  Ilford SFX 200 Extra Red Sensitivity



















Entrance way
Camera:  Holga 120N with red filter
Film:  Ilford SFX 200 Extra Red Sensitivity



















Lilly Pad
Camera: Polaroid SX-70 Sonar One Step w/ ND filter
Film:  Impossible Project PX680 Color Shade First Flush


















Kingwood Center Gardens
Camera:  Diana F+
Film:  Lomography 100 color negative


















Pine Forest Pinhole
Camera:  Diana F+ Pinhole 3 min. exposure
Film:  Lomography 100 color negative


















Building
Camera:  Tripod mounted Canon AE-1P 28mm lens f/8 @ 1/500 sec.
Film:  Kodak Tri-X 400


















Downtown Urban Decay
Camera:  Tripod mounted Canon AE-1P 28mm lens f/16 @ 1/125 sec.
Film:  Kodak Tri-X 400


















Towering Trees at Mohican State Park
Camera:  Tripod mounted Canon AE-1P 28mm lens f/16 @ 1/60 sec.
Film:  Kodak Tri-X 400


















"Stop"
Camera:  Holga 120N
Film:  Rollei Retro 80s